Resonances of the revolution in the poetry of Martin Gambarotta

Título traducido de la contribución: Resonancias de la revolución en la poética de Martín Gambarotta

Producción científica: Contribución a una revistaArtículorevisión exhaustiva

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Resumen

This article explores the politics of form proposed by the poetry of Martín Gambarotta. It discusses how his poems carry out a mapping of affective forces across language in the context of a pacified society during the neoliberal project of the late 1990s. The work on verbal materiality invites the reader -as Jean-Luc Nancy would say- To put the ear in order to perceive the resonances of the 'unsaid' at the edges of meaning. While his early work, Punctum (1996), exercises an appropriation of the political rhetoric of the 1970s and of the mass media in a fast and distorted montage, Seudo (2000) investigates the dissociation between sense and sound in the context of a dislocated language, where repetition and silence play a pivotal role. Finally, in the extensive section 'Dubitación (para una reescritura de Seudo)' that appears in the reissue of 2012, loop construction sets the pace of impossibility of the poem-object of naming experience.

Título traducido de la contribuciónResonancias de la revolución en la poética de Martín Gambarotta
Idioma originalInglés
Páginas (desde-hasta)635-652
Número de páginas18
PublicaciónBulletin of Hispanic Studies
Volumen93
N.º6
DOI
EstadoPublicada - 2016
Publicado de forma externa

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