Narración y sujeto en la poesía de Tomás Harris

Mary Mac-Millan

doi:10.4067/S0718-04622009000100007

Narración y sujeto en la poesía de Tomás Harris

Mary Mac-Millan

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Resumen

All writing involves the putting into play of a subject, a subject who sustains the writing while, at the same time, coming into being. In this paper we show the particularity of the subject in the poetry of Tomás Harris. In order to do so, we will use the postulates of Paul Ricoeur, Hayden White and Hannah Arendt and we will focus on " El hombre sin brazos", a set of poems included in Ítaca and Crónicas maravillosas.

Título traducido de la contribución	Narration and subject in the poetry of Tomás Harris
Idioma original	Español
Páginas (desde-hasta)	121-134
Número de páginas	14
Publicación	Atenea
Volumen	1
N.º	499
DOI	https://doi.org/10.4067/S0718-04622009000100007
Estado	Publicada - 2008
Publicado de forma externa	Sí

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Harris
Ricoeur
Subject

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10.4067/S0718-04622009000100007

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abstract = "All writing involves the putting into play of a subject, a subject who sustains the writing while, at the same time, coming into being. In this paper we show the particularity of the subject in the poetry of Tom{\'a}s Harris. In order to do so, we will use the postulates of Paul Ricoeur, Hayden White and Hannah Arendt and we will focus on {"} El hombre sin brazos{"}, a set of poems included in {\'I}taca and Cr{\'o}nicas maravillosas.",

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Narración y sujeto en la poesía de Tomás Harris

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