Espantapájaros de oliverio girondo un flâneur a contrapelo

This study goes through the avant-garde notions present in the 1932 collection of poems from a latinamerican flâneur that walks about from the historic limit of the city and from the mixture of cultures that inhabits. It produces a speech deconstruction to modernity dismantling the social rules and the notion of the nineteenth-century subject. The Espantapájaros urban speaker expresses a continuing rejection to the linguistic conventions and a spirituality of the object towards existence.