TY - JOUR
T1 - Between Commerciality and Authenticity
T2 - The Imaginary of Social Media Influencers in the Platform Economy
AU - Arriagada, Arturo
AU - Bishop, Sophie
N1 - Publisher Copyright:
© The Author(s) 2021. Published by Oxford University Press on behalf of International Communication Association. All rights reserved. For permissions, please email: [email protected].
PY - 2021/12/1
Y1 - 2021/12/1
N2 - Influencers are highly visible tastemakers who professionally publish content on social media platforms. In their work, influencers are tasked with reconciling their contradictory positioning-they are both promoters of consumption, and marshals of "authentic"sociality and community. Influencers thus organize their social world in ways that enable them to justify moving between two contradictory poles of commerciality and authenticity. In this article, we argue that these navigations necessitate "influencer imaginaries."This concept was drawn from, first, in-depth interviews with 35 Chilean social media influencers, and second, from participant observation with advertising agencies who hire them. The influencer "imaginary"sheds light on how individuals experience and justify the commodification of the self and forms of knowledge as subject to valuation in markets when they communicate their brands. Thus, the imaginary was shown to emerge from three intertwined narratives: to resolve information asymmetries in markets; differentiate influencers from celebrities and advertisers as average people; and negotiate self-definition with regard to agencies, audiences, and themselves.
AB - Influencers are highly visible tastemakers who professionally publish content on social media platforms. In their work, influencers are tasked with reconciling their contradictory positioning-they are both promoters of consumption, and marshals of "authentic"sociality and community. Influencers thus organize their social world in ways that enable them to justify moving between two contradictory poles of commerciality and authenticity. In this article, we argue that these navigations necessitate "influencer imaginaries."This concept was drawn from, first, in-depth interviews with 35 Chilean social media influencers, and second, from participant observation with advertising agencies who hire them. The influencer "imaginary"sheds light on how individuals experience and justify the commodification of the self and forms of knowledge as subject to valuation in markets when they communicate their brands. Thus, the imaginary was shown to emerge from three intertwined narratives: to resolve information asymmetries in markets; differentiate influencers from celebrities and advertisers as average people; and negotiate self-definition with regard to agencies, audiences, and themselves.
KW - Chile
KW - Instagram
KW - authenticity
KW - consumer culture
KW - influencers
KW - social media
UR - http://www.scopus.com/inward/record.url?scp=85121261399&partnerID=8YFLogxK
U2 - 10.1093/ccc/tcab050
DO - 10.1093/ccc/tcab050
M3 - Article
AN - SCOPUS:85121261399
SN - 1753-9129
VL - 14
SP - 568
EP - 586
JO - Communication, Culture and Critique
JF - Communication, Culture and Critique
IS - 4
ER -