Abstract
This essay studies, from the point of view of perceptions, three art works that, from different fields, elaborated on the topic of the earthquake of 2010 in Chile: the book of poems Sobre la mancha (2012) by Germán Carrasco, the film Tierra en movimiento (2014) by Tiziana Panizza and the dance choreography Un sismo (2014) by Carla Bolgeri. The works coincide in presenting the earthquake indirectly, through layers of perceptions mediated in the representation and articulated through intermedial aesthetic solutions that form a perceptive "thickness" around it. This way, it becomes possible to wonder on the synchrony between human rythms and the rhythm of nature, or on the cycles of memory from lateral and new perspectives.
| Translated title of the contribution | Sismography of perceptions: The earthqua ke of 2010 in the intermedial crossing of film, poetry and dance |
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| Original language | Spanish |
| Pages (from-to) | 117-142 |
| Number of pages | 26 |
| Journal | Revista de Humanidades |
| Volume | 2016 |
| Issue number | 34 |
| State | Published - 2016 |
| Externally published | Yes |