TY - JOUR
T1 - RECENTLY CATALOGUED MUSIC ARCHIVES AND FONDS IN SANTIAGO, CHILE
T2 - A CONTRIBUTION TO THE DISSEMINATION OF WRITTEN MUSICAL HERITAGE OF THE NINETEENTH AND TWENTIETH CENTURIES
AU - Fahrenkrog, Laura
AU - Vera, Fernanda
N1 - Funding Information:
The first initiatives to catalogue the musical documents in Chile developed in the second half of the twentieth century, following the organization of music collections of all kinds and formats under the auspices of institutions such as the Biblioteca Nacional, the Universidad de Chile, and the Pontificia Universidad Católica de Chile3. The first music catalogue to appear after this organization of the collections belongs to Samuel Claro Valdés, Catálogo del Archivo Musical de la Catedral de Santiago de Chile 4. From 1990 to the present, thanks to the availability of competitive funding financed by the state, a variety of projects which aim to discover music collections have emerged5, along with the
Publisher Copyright:
© 2016 Music Library Association. All rights reserved.
PY - 2016/4/1
Y1 - 2016/4/1
N2 - In Chile in recent years, attempts to provide access to written musical repertoires of the nineteenth and twentieth centuries has increased. This article shows the most important aspects of the generation, history, and organization of the music repositories existing in the Seminario Pontificio Mayor de los Ángeles Custodios of Santiago, the Biblioteca Patrimonial de la Recoleta Dominica of Santiago, and the Archivo Central Andrés Bello of the Universidad de Chile. The cataloguing, conservation, and digitalisation of their materials has led to the dissemination and appreciation of this music, which is now openly accessible to the entire scholarly community. It should also be noted that much of this repertoire, mostly unknown but also undervalued, was not included in the discourses of twentieth century Chilean music historiography.
AB - In Chile in recent years, attempts to provide access to written musical repertoires of the nineteenth and twentieth centuries has increased. This article shows the most important aspects of the generation, history, and organization of the music repositories existing in the Seminario Pontificio Mayor de los Ángeles Custodios of Santiago, the Biblioteca Patrimonial de la Recoleta Dominica of Santiago, and the Archivo Central Andrés Bello of the Universidad de Chile. The cataloguing, conservation, and digitalisation of their materials has led to the dissemination and appreciation of this music, which is now openly accessible to the entire scholarly community. It should also be noted that much of this repertoire, mostly unknown but also undervalued, was not included in the discourses of twentieth century Chilean music historiography.
UR - http://www.scopus.com/inward/record.url?scp=85128330048&partnerID=8YFLogxK
U2 - 10.1353/FAM.2016.0015
DO - 10.1353/FAM.2016.0015
M3 - Article
AN - SCOPUS:85128330048
SN - 0015-6191
VL - 63
SP - 100
EP - 119
JO - Fontes Artis Musicae
JF - Fontes Artis Musicae
IS - 2
ER -