TY - JOUR
T1 - Raman identification of pigments in wall paintings of the colonial period from Bolivian Churches in the Ruta de la Plata
AU - Rúa, Carlos
AU - Sepúlveda, Marcela
AU - Gutiérrez, Sebastián
AU - Cárcamo-Vega, José J.
AU - Surco-Luque, Julio
AU - Campos-Vallette, Marcelo
AU - Guzmán, Fernando
AU - Conti, Paola
AU - Pereira, Magdalena
N1 - Publisher Copyright:
© 2017 University of Bologna.
PY - 2017
Y1 - 2017
N2 - Micro-Raman spectroscopy was used to analyze and identify pigments and determine the palette of color in wall paintings from four churches of the Colonial Period, in the Bolivian highlands. The ancient churches Santiago de Callapa, Curahuara de Carangas, Nuestra Señora de Copacabana de Andamarca and San José de Soracachi were constructed during the 17th and 18th centuries, around the important colonial Ruta de la Plata, between Potosí city and Arica harbor on the Paciic coast of South America. Most pigments used in the wall paintings correspond to inorganic minerals as well as to organic colorants. Fully chlorinated copper phthalocyanine (green), copper phthalocyanine (blue), ß-naphthol (yellow) and benzoimidazolone (red), were identiied in the corresponding colored areas suggesting subsequent recent interventions or restorations. Ground layer materials were also characterized. The present results allow for discussion of the pictorial techniques used in the Andean highland during the colonial period and allow conservators and restorers to make important decisions regarding the type of intervention to perform in the case of these important historical and patrimonial monuments.
AB - Micro-Raman spectroscopy was used to analyze and identify pigments and determine the palette of color in wall paintings from four churches of the Colonial Period, in the Bolivian highlands. The ancient churches Santiago de Callapa, Curahuara de Carangas, Nuestra Señora de Copacabana de Andamarca and San José de Soracachi were constructed during the 17th and 18th centuries, around the important colonial Ruta de la Plata, between Potosí city and Arica harbor on the Paciic coast of South America. Most pigments used in the wall paintings correspond to inorganic minerals as well as to organic colorants. Fully chlorinated copper phthalocyanine (green), copper phthalocyanine (blue), ß-naphthol (yellow) and benzoimidazolone (red), were identiied in the corresponding colored areas suggesting subsequent recent interventions or restorations. Ground layer materials were also characterized. The present results allow for discussion of the pictorial techniques used in the Andean highland during the colonial period and allow conservators and restorers to make important decisions regarding the type of intervention to perform in the case of these important historical and patrimonial monuments.
KW - Andean colonial churches
KW - Pigments
KW - Raman spectroscopy
KW - Wall paintings
UR - http://www.scopus.com/inward/record.url?scp=85044741749&partnerID=8YFLogxK
U2 - 10.6092/issn.1973-9494/7945
DO - 10.6092/issn.1973-9494/7945
M3 - Article
AN - SCOPUS:85044741749
SN - 1974-4951
VL - 17
SP - 117
EP - 137
JO - Conservation Science in Cultural Heritage
JF - Conservation Science in Cultural Heritage
ER -