TY - JOUR
T1 - Identification and characterization of basic copper sulfates as mineral green pigments in Andean colonial mural paintings
T2 - Use of temperature-controlled stage for the study of thermal induced antlerite degradation
AU - Tomasini, Eugenia P.
AU - Costantini, Ilaria
AU - Rúa Landa, Carlos
AU - Guzmán, Fernando
AU - Pereira, Magdalena
AU - Castro, Kepa
AU - Siracusano, Gabriela
AU - Madariaga, Juan Manuel
AU - Maier, Marta S.
N1 - Funding Information:
The authors are indebted to the Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) (PIP 11220130100288), Agencia Nacional de Promoción Científica y Tecnológica (ANPCyT) (PICT‐2016‐0349 and PICT‐2017‐1716), the Universidad de Buenos Aires (20020130100008BA and 20020130300010BA), Argentina, and the Consejo Nacional de Investigación Científica y Tecnológica del Estado de Chile (FONDECYT 1150974) for financial support. This work has also been financially supported by the DEMORA Project (Grant PID2020‐113391GB‐I00) funded by the Spanish Agency for Research (AEI) (MINEICO/FEDER‐UE). The authors are grateful to the Ministerio de Culturas y Turismo of Bolivia for their support and to M. M. Córdova for the cross‐sections of the samples. The authors would like to thank Dra. Teresita Montenegro and Dr. Pablo Leal for the mineral samples (Museum of Mineralogy ‘Dra. Edelmira Mórtola’ Departamento de Geología of the Facultad de Ciencias Exactas y Naturales, UBA). E.T., G.S. and M.S.M. are Research Members of CONICET.
Funding Information:
The authors are indebted to the Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) (PIP 11220130100288), Agencia Nacional de Promoción Científica y Tecnológica (ANPCyT) (PICT-2016-0349 and PICT-2017-1716), the Universidad de Buenos Aires (20020130100008BA and 20020130300010BA), Argentina, and the Consejo Nacional de Investigación Científica y Tecnológica del Estado de Chile (FONDECYT 1150974) for financial support. This work has also been financially supported by the DEMORA Project (Grant PID2020-113391GB-I00) funded by the Spanish Agency for Research (AEI) (MINEICO/FEDER-UE). The authors are grateful to the Ministerio de Culturas y Turismo of Bolivia for their support and to M. M. Córdova for the cross-sections of the samples. The authors would like to thank Dra. Teresita Montenegro and Dr. Pablo Leal for the mineral samples (Museum of Mineralogy ‘Dra. Edelmira Mórtola’ Departamento de Geología of the Facultad de Ciencias Exactas y Naturales, UBA). E.T., G.S. and M.S.M. are Research Members of CONICET.
Publisher Copyright:
© 2021 John Wiley & Sons, Ltd.
PY - 2021/12
Y1 - 2021/12
N2 - This work describes the characterization of green pigments in wall paintings from the Andean churches of San José de Soracachi and Santiago de Callapa in Bolivia, located on an ancient colonial commercial route known as the Silver Route. To approach our goal, microsamples extracted from the mural paintings and mineral samples, from a mine of the same area, were studied by using micro-Raman spectroscopy complemented with micro-energy-dispersive X-ray fluorescence spectroscopy (μ-EDXRF) and scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDS) analysis. The use of gypsum as the preparation layer was detected, and it suggests a secco painting technique. Antlerite, a basic copper sulfate, was identified suggesting a preference for its use as green pigment in the mural paintings of Andean churches that may be related to the local availability of this mineral. Indeed, this study revealed the presence of heterogeneous particles of the basic copper sulfate together with aluminosilicates, quartz and iron oxides among others, which points to a mineral origin of the green pigment because the same compounds were found in the samples taken in the mine. Because a phase transition has been noticed during the Raman analyses, due to a high power of the laser radiation, some tests have been carried out, varying the laser power, and coupling the Raman spectrometer to a temperature-controlled stage to verify under which conditions the degradation of the mineral sample of antlerite occurs allowing in this way a correct characterization of basic copper sulfate pigments. These results contribute to the study of the Andean colonial artistic cultural heritage, and this information will be made available for the construction of a database of local pigments of mineral origin used in Andean colonial art.
AB - This work describes the characterization of green pigments in wall paintings from the Andean churches of San José de Soracachi and Santiago de Callapa in Bolivia, located on an ancient colonial commercial route known as the Silver Route. To approach our goal, microsamples extracted from the mural paintings and mineral samples, from a mine of the same area, were studied by using micro-Raman spectroscopy complemented with micro-energy-dispersive X-ray fluorescence spectroscopy (μ-EDXRF) and scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDS) analysis. The use of gypsum as the preparation layer was detected, and it suggests a secco painting technique. Antlerite, a basic copper sulfate, was identified suggesting a preference for its use as green pigment in the mural paintings of Andean churches that may be related to the local availability of this mineral. Indeed, this study revealed the presence of heterogeneous particles of the basic copper sulfate together with aluminosilicates, quartz and iron oxides among others, which points to a mineral origin of the green pigment because the same compounds were found in the samples taken in the mine. Because a phase transition has been noticed during the Raman analyses, due to a high power of the laser radiation, some tests have been carried out, varying the laser power, and coupling the Raman spectrometer to a temperature-controlled stage to verify under which conditions the degradation of the mineral sample of antlerite occurs allowing in this way a correct characterization of basic copper sulfate pigments. These results contribute to the study of the Andean colonial artistic cultural heritage, and this information will be made available for the construction of a database of local pigments of mineral origin used in Andean colonial art.
KW - Andean colonial mural painting
KW - Antlerite
KW - induced degradation
KW - micro-Raman spectroscopy
KW - μ-EDXRF
UR - http://www.scopus.com/inward/record.url?scp=85112379072&partnerID=8YFLogxK
U2 - 10.1002/jrs.6218
DO - 10.1002/jrs.6218
M3 - Article
AN - SCOPUS:85112379072
SN - 0377-0486
VL - 52
SP - 2204
EP - 2217
JO - Journal of Raman Spectroscopy
JF - Journal of Raman Spectroscopy
IS - 12
ER -