Abstract
This essay aims at exploring from an intermedial perspective Compro fierro (2007) by Juan Carreño, and Gran Avenida (2004) y Aire quemado (2009) by Gladys González, poetry works about urban marginality. With the help of concepts such as legend, voyeurism, and collective assemblage of enunciation, and of the analogy with social networks and other uses of internet, relation between poetic word and other arts will be studied; i.e. photography and film still in relation to Gladys González, audio record and video-documentary in relation to Juan Carreño. The marginal topography that these two poets create enhance the role of citizens' body and voice, invoking the weaving of a weft of meaning and perceptions in which the reader participate.
| Translated title of the contribution | Pictures and voices in the city. An intermedial perspective on marginality in the chilean poetry of the 2000s |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 159-178 |
| Number of pages | 20 |
| Journal | Literatura y Linguistica |
| Issue number | 32 |
| DOIs | |
| State | Published - 2015 |
| Externally published | Yes |