As a practice when designing, we architects use certain expressions. The question raised in this article is related to the transformation of these expressions, thanks in part to the implementation of other mechanisms - some imaginary - considering the "effective" use of contemporary means of representation. Besides allowing us to "visualize" a project, the object of architectonic representation presumes the management of certain codes that describe the aim of a project. Representation is raised as a problem in communication produced by certain gestures which purpose is to present the materialization and effect of an idea. As a product of the contemporaneous vortex, many representational systems have been transformed by dynamic processes of presentation and planning evaluation (which operate basically with notions of time and organization). This article suggests possible constructions in the face of this new paradigm which has been institutionalized by the academy in Chile.
|Translated title of the contribution||Evaluation and planning representation: lines, movements and language: Performance devices of the architect|
|Number of pages||4|
|State||Published - 2008|