Abstract
This study goes through the avant-garde notions present in the 1932 collection of poems from a latinamerican flâneur that walks about from the historic limit of the city and from the mixture of cultures that inhabits. It produces a speech deconstruction to modernity dismantling the social rules and the notion of the nineteenth-century subject. The Espantapájaros urban speaker expresses a continuing rejection to the linguistic conventions and a spirituality of the object towards existence.
| Translated title of the contribution | Oliverio girondòs scarecrow. A flâneur against the grain |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 149-165 |
| Number of pages | 17 |
| Journal | Literatura y Linguistica |
| Issue number | 29 |
| DOIs | |
| State | Published - 2014 |
| Externally published | Yes |