Abstract
This study goes through the avant-garde notions present in the 1932 collection of poems from a Latinamerican flâneur that walks about from the historic limit of the city and from the mixture of cultures that inhabits. It produces a speech deconstruction to modernity dismantling the social rules and the notion of the nineteenth-century subject. The Espantapájaros urban speaker expresses a continuing rejection to the linguistic conventions and a spirituality of the object towards existence.
Translated title of the contribution | Oliverio Girondòs Scarecrow. A flâneur against the grain |
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Original language | Spanish |
Pages (from-to) | 149-165 |
Number of pages | 17 |
Journal | Literatura y Linguistica |
Issue number | 29 |
DOIs | |
State | Published - 2014 |
Externally published | Yes |