Abstract
This paper addresses three contributions of Jacques Derrida's deconstruction to the critique of nationalism in different moments of his work: a) the deconstruction of the myth of origins as an ideal of purity that he exposes with the logic of the supplement; b) the critique of the notion of a national language, as the language of a “we” from a community of spirit and c) the deconstruction of a nationalism that is both cosmopolitan and humanist, even in philosophies critical of humanism and contrary to any racial or natural determination.
| Translated title of the contribution | At the Origin was the Prosthesis Deconstruction as a Critique of Nationalism |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 151-170 |
| Number of pages | 20 |
| Journal | Ideas y Valores |
| Volume | 72 |
| Issue number | 181 |
| DOIs | |
| State | Published - 2023 |
| Externally published | Yes |